|
DATE
|
NUMBER OF DAYS
|
INSTRUCTOR
|
WORKSHOP TITLE
|
|
Jun 1989
|
1
|
Maureen Hargrave
|
A Trivial Workshop
|
|
Sep 1989
|
2
|
Marilyn Reaves
|
Flat Brush
|
|
Oct 1989
|
2
|
Grace Philips
|
Calligraphic Clothing
|
|
Nov 1989
|
2
|
Molly Gaylor
|
Formal Italic A Review of the Basics
|
|
Feb 1990
|
2
|
Carol Palleson Hicks
|
Gold, Glitter, Greeting Cards
|
|
Mar 1990
|
2
|
Jaki Svaren
|
Italic Handwriting
|
|
Apr 1990
|
2
|
Sue Ellen Benson & Doug Boyd
|
Intermediate Workshop Featuring Paper Marbling & Copperplate
|
|
May 1990
|
2
|
Merida Burkhart & Lucile Cheng
|
Bookbinding/Ronde
|
|
Sep 1990
|
2
|
Carl Rohrs
|
Flat and Pointed Brush
|
|
Nov 1990
|
2
|
Nancy Culmone
|
English Roundhand
|
|
Nov 1990
|
1
|
Nancy Culmone
|
Numbers
|
|
Dec 1990
|
1
|
Suze Weinberg
|
Rubberstampmadness
|
|
Feb 1991
|
2
|
Leana Fay
|
Collage
|
|
Feb 1991
|
1
|
Leana Fay
|
Brush-Built Capitals
|
|
Apr 1991
|
2
|
Tim Botts
|
Design Repertoire
|
|
Oct 1991
|
2
|
Alice Koeth
|
Drawing Attention
|
|
Oct 1991
|
1
|
Alice Koeth
|
Poster Lettering
|
|
Jan 1992
|
2
|
Teri Kahan Stumpf
|
Flourishing
|
|
Mar 1992
|
2
|
Ewan Clayton
|
Developing Your Imagination
|
|
Mar 1992
|
1
|
Ewan Clayton
|
Carolingian
|
|
May 1992
|
2
|
Louise Grunewald
|
Good Hues
|
|
Sep 1992
|
2
|
Thomas Ingmire
|
Language of Modern Calligraphy
|
|
Oct 1992
|
1
|
Merida Stanger
|
Bound to Please: The Elements of Bookbinding
|
|
Nov 1992
|
2
|
Sheila Waters
|
Gothicized Italic
|
|
Jan 1993
|
1
|
SDFC Instructors
|
Mixed Medley
|
|
Feb 1993
|
2
|
Gottfried Pott
|
Roman Cursive
|
|
Mar 1993
|
1
|
Bonnie Nelson
|
Portfolio Presentation
|
|
May 1993
|
2
|
Susan Moore
|
The Art of Paper Marbling
|
|
Oct 1993
|
1
|
Marsha Brady
|
Roman Capitals
|
|
Oct 1993
|
2
|
Marsha Brady
|
Italic: Getting Back in Shape
|
|
Nov 1993
|
2
|
Carol Palleson Hicks
|
Art Cards
|
|
Jan 1994
|
1
|
SDFC Instructors
|
Mixed Medley
|
|
Feb 1994
|
1
|
Katrina Berry
|
Rainbow Writing
|
|
Feb 1994
|
1
|
Katrina Berry
|
Medieval Fun
|
|
Mar 1994
|
1
|
Molly Gaylor
|
Flourishing
|
|
May 1994
|
2
|
Marilyn Reaves
|
Pointed Brush
|
|
Oct 1994
|
2
|
Lefty Fontenrose
|
Versatile Versals
|
|
Nov 1994
|
1
|
Patt Miller
|
Creative Cards
|
|
Jan 1995
|
2
|
Suzanne Moore
|
Alphabetical Inventions
|
|
Mar 1995
|
2
|
Michael Kecseg
|
From Pointed Pen to Pointed Brush
|
|
May 1995
|
2
|
Michael Clark
|
Calligraphy as a Graphic Element
|
|
Oct 1995
|
2
|
Glen Epstein
|
Fun with the Ruling Writer
|
|
Nov 1995
|
2
|
Carl Rohrs
|
The Most Fun You Can Have with a Brush
|
|
Feb 1996
|
2
|
Lisa Engelbrecht
|
Watercolor, Flowers, and Calligraphy
|
|
Mar 1996
|
2
|
Richard Pio
|
Miniature Case Bound Book with Lined Slipcover
|
|
May 1996
|
2
|
Marsha Brady
|
Early Humanist Script
|
|
Jun 1996
|
1
|
Barbara Close
|
Unique Invitations
|
|
Jul 1996
|
1
|
Homer Edwards
|
Fabulous Foil Graphics
|
|
Jul 1996
|
1
|
Naomi Lesberg
|
Make Your Own Rubber Stamps and
Paper Embossing
|
|
Sep 1996
|
2
|
Stan Knight
|
Versals Redefined
|
|
Oct 1996
|
2
|
Joe D’Ambrosio
|
Bookbinding: Alternate Variations
|
|
Nov 1996
|
2
|
Carol Pallesen Hicks
|
Avant Card
|
|
Dec 1996
|
1
|
Carrie Imai
|
Neuland
|
|
Jan 1997
|
2
|
Michael Kecseg
|
Copperplate from A to Z
|
|
Jan 1997
|
2
|
Michael Kecseg
|
Pointed Pen Variations
|
|
Feb 1997
|
2
|
Valerie Weilmuenster
|
Sensational Certificates & Ravishing Resolutions
|
|
Mar 1997
|
1
|
Kingsley Benefield
|
Mail Art a.k.a. Jumpstart Your Mailman/Woman/Person
|
|
Mar 1997
|
1
|
Carrie Imai
|
Bone
|
|
Apr 1997
|
2
|
Jane Shibata
|
Colored Pencil Techniques
|
|
May 1997
|
2
|
Anne Batten
|
Experimental Lettering
|
|
June 1997
|
2
|
Timothy Botts
|
Design Repertoire
|
|
Jul 1997
|
2
|
Richard Pio
|
Non-adhesive Book with Clam Shell Box
|
|
Sep 1997
|
2
|
Peter Thornton
|
Layout & Design for the Terrified
|
|
Sep 1997
|
2
|
Peter Thornton
|
Three-dimensional Calligraphy: The Layering of Letters
|
|
Nov 1997
|
2
|
Michael Sull
|
Spencerian Script
|
|
Jan 1998
|
2
|
Cheryl Adams
|
Monoline Variations to the Max
|
|
Jan 1998
|
1
|
Cheryl Adams
|
Envelope Design and Creativity
|
|
Feb 1998
|
|
Sandy Tilcock
|
It’s an Open Book: Create a Journal That Is Entirely Yours
|
|
Feb 1998
|
1
|
Sandy Tilcock
|
Alternate Book Structures
|
|
Mar 1998
|
2
|
Michael Jacobs
|
Book Arts as Creative Correspondence
|
|
Mar 1998
|
1
|
Michael Jacobs
|
Collage Books & Cards
|
|
May 1998
|
3
|
Peter Thornton
|
Roman Capital Master Class
|
|
Jul-Aug 199898
|
5
|
DISCOVERIES
|
International Calligraphy Conference
|
|
Jan 1999
|
1
|
Patt Miller
|
Creative Greeting Cards
|
|
Jan 1999
|
1
|
Risa Gettler
|
Smithsonian Institution’s Graceful Envelope Contest
|
|
Feb 1999
|
1
|
Katie Snyder-Root
|
Ornamentation for Beginners
|
|
Mar 1999
|
1
|
Patsy Roeder
|
Using Your Pointed Nib
|
|
Sep 1999
|
2
|
Melissa Dinwiddie
|
Magical Mystical Papercut Book
|
|
Jan 2000
|
2
|
Lisabet Wilson
|
Gothic Blackletter, Old English (2 Saturdays)
|
|
Beb 2000
|
2
|
Ann Lawrence
|
Pysanky!
|
|
Mar 2000
|
2
|
Barbara Close
|
Versatility in Versals
|
|
May 2000
|
2
|
Donna Young
|
Brushing It Up!
|
|
May 2000
|
3
|
Paul Shaw
|
Designing with Letters
|
|
6/00-2/01
|
6
|
Thomas Ingmire
|
Extended Studies
|
|
Nov 2000
|
2
|
Lisa Engelbrecht
|
Watercolor Flowers and Calligraphy
|
|
Jan 2001
|
1
|
Ann Lawrence
|
Easy Flourishing
|
|
Mar 2001
|
2
|
Marilyn Reaves
|
Designing with Nature
|
|
Apr-Jun
|
5
|
Randy Hasson
|
Calligraphy on Canvas (5 Saturdays)
|
